‘From Chaos to Order’ is the first LP released by this melodic punk band formed by members of Strung Out, Pulley, Ten Foot Pole and The Tank on the record label of NOFX guitarist El Hefe. The album is a combination of what all these bands bring together, with riffs and drums which could be easily compared to that of early Strung Out. The vocals are delicately sung and clean in delivery. The whole LP has some catchy songs, but not really anything that you could remember the next day, except for a few good metal riffs as the intros to some of the songs. Strung Out fans will definitely enjoy this. - Coby Healey.
The first full studio album from the Stooges in six years, having last released ‘The Weirdness’, which was easily one of the least favourable albums released in both Iggy’s and The Stooges careers. This album however is a little more worked on and developed. It’s an album filled with loud classic guitar riffs backed by Iggy’s natural un-edited vocals. Don't let the fact that Iggy and the band are all around their mid-60s deter you, as ‘Ready to Die’ is hardly what you’d call an aggressive Stoges album, but it’s definitely a fun album to relax and listen to - Coby Healey
Originally released as a Record Store Day exclusive, but now widely available, is this split between two bands who have graced our shores together in the past. I really dislike two song 7 inches, I always feel ripped off paying for half the price of an album just to hear two songs. On this split Title Fight cover Touche Amore's "Face Ghost"off the Parting The Sea release, while Touche Amore cover TF's "Crescent Shaped Depression" off the album Shed. Both bands apply their own trademark sound to the songs of their counterparts, and both songs sound like they could have been their own. This a great concept that has been executed brilliantly but could really do with some more exclusive tracks.
It feels like forever since I've heard new music from Paint It Black and well to be fair it has been nearly four years with their last two EPs "Amnesia" and "Surrender" released back in 2009. Now PIB return with a new 5 song 7 inch, on a new label in that of No Idea, having released records via Fat Wreck, Bridge 9 and Jade Tree in the past. Fronted by the anguished screams of Dan Yemin, best known for his guitar wizardry with Kid Dynamite or Lifetime, his intelligent lyrics really set this band apart for me. Combine that with the band's unique melodic hardcore approach and this sounds more aggressive and confronting than 100 of today's hard riff bands. Essential listening.
Four song 7 inch release for Adelaide street punk / folk rock band Standard Union who have been around since 2002. Standard Union has that working class punk rock feel to it, like a more simplified and abrasive Street Dogs perhaps with a classically gravelly Australian vocal delivery. Lyrically this is some great story telling set to some real catchy music exemplified by guitar leads that are designed to please rather than amaze, at times the song structure is very remininscent of Social Distortion. Title track "The Myth Of Terra Nullis" presents the most catchiest delivery of the reconciliation message ever produced by an Australian band.
Having been around for over five years now, an existence that even included a visit to Australia, Daylight have finally released their first full length release after a string of EP releases. In that time the band have evolved away from an upbeat melodic hardcore sound to one of a more subdued atmospheric style ala Balance and Composure perhaps. On this album Daylight take a lot of cues from the grunge era of the 90s with influences like Nirvana and the Smashing Pumpkins shining through. Twelve tracks in total that are powerfully melodic and catchy with an instant likeability and appeal to them. Will help fill the void left by the departure of Basement for a lot of fans.
Firstly I'm a huge Face To Face fan and I thought their previous album "Laugh Now, Laugh Later" was absolutely brilliant. I've celebrated all evolutions of this band's sound from 'Dont Turn Away' to 'Reactionary' even. And here comes the but... sadly this new album is a major dissappointment. I thought the lead songs "Bright Lights" and "Right As Rain" were pretty weak, figured maybe the label had chosen the wrong songs to promote even, but alas once I listened to the whole thing I have to agree, they are indeed the standout tracks. I'm not sure if this was really rushed or if Face To Face are trying something a little different perhaps?
Follow up to the revered "Keepers Of The Faith" which in my eyes was very much a comeback album for Terror. It's hard to listen to this and not draw comparisons. Overall the consistency of KOTF has not been quite replicated. There are some damn good songs on here though. Lead tracks "The Most High" and "Hard Lessons" are indeed some of the highlights. While lyrically Vogel continues his love for the core and being a stand up dude, themes that can come across as cheesey, but yet appealing. Musically its what you've come to expect from Terror, with a few new guitar lead variations. If you just approach this as a new Terror album regardless of what it follows you'll be stoked.
After 2009's Raw Life and follow up Hardcore for Hardcore, The Rival Mob deliver their debut LP on a new label in that of Revelation. There are 12 songs on here and most clock in at around a minute and a half, with only 2 topping two minutes long. This is fast, hard, raw and brutally intense that hits like a punch in the face. While they haven't really changed their Boston 80s approach at all, ths is by far the most easily accessible release yet from the Rival Mob. Was always going to be interesting to see if they could keep up the consistency of quality on a full length, but have done so with flying colours. This band deserve their hype and this release does stand out from the pack.
Debut 14 track, ten inch release from Sydney band, Firearms that clocks in at around the 27 minute mark. For a 10 inch this really feels quite longer than usual, probably due to the amount of songs that are mostly under two minutes long. This has that explosive punky rock n roll feel to it kind of like the Bronx or Zeke perhaps with a stronger leaning more towards the punk influence. For a three piece Firearms sure know how to fill out the sound of their band. Dual vocals are shared between guitar and bass and work well together with an urgent delivery. Limited to 250 copies and packaged with some cool artwork by Spider, this won't be around forever. Click here to grab a copy.
Follow up to the revered "Keepers Of The Faith" which in my eyes was very much a comeback album for Terror. It's hard to listen to this and not draw comparisons. Overall the consistency of KOTF has not been quite replicated. There are some damn good songs on here though. Lead tracks "The Most High" and "Hard Lessons" are indeed some of the highlights. While lyrically Vogel continues his love for the core and being a stand up dude, themes that can come across as cheesey, but yet appealing. Musically its what you've come to expect from Terror, with a few new guitar lead variations. If you just approach this as a new Terror album regardless of what it follows you'll be stoked.
After 2009's Raw Life and follow up Hardcore for Hardcore, The Rival Mob deliver their debut LP on a new label in that of Revelation. There are 12 songs on here and most clock in at around a minute and a half, with only 2 topping two minutes long. This is fast, hard, raw and brutally intense that hits like a punch in the face. While they haven't really changed their Boston 80s approach at all, ths is by far the most easily accessible release yet from the Rival Mob. Was always going to be interesting to see if they could keep up the consistency of quality on a full length, but have done so with flying colours. This band deserve their hype and this release does stand out from the pack.
